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Wednesday, November 6, 2024

A Quotable Midnight Film from 1971


On Friday nights, IndieWire After Darkish takes a feature-length beat to honor fringe cinema within the streaming age. 

First, the spoiler-free pitch for one editor’s midnight film choose — one thing extraordinary from any age of movie that deserves our memorializing. 

Then, the spoiler-filled aftermath as skilled by the unwitting editor attacked by this week’s advice.

The Pitch: After Darkish however Make It for Gays of a Sure Age

After I was pressed into service for IndieWire After Darkish, I hesitated all of 5 seconds earlier than I screamed, “What’s the Matter With Helen?” at Ali. Partly as a result of it’s a very bonkers hagsploitation film however largely as a result of I greedily grasp at each excuse to debate Curtis Harrington’s examination of what the moms of thrill killers Leopold and Loeb might need executed with their lives after their sons’ convictions.

(Left to right): Landon Zakheim, "In a Violent Nature Star" Ry Barrett, and Michael Lerman
IATSE will soon be in negotiations with the studios

Transfer from the Midwest to Los Angeles to satisfy a lifelong dream of opening a dance college for teenagers, in fact! However by some means, regardless of life amid the glitz and glamour of Hollywood, good previous salt-of-the-earth murders hold occurring round Helen (two-time Oscar winner Shelley Winters) and Adele (Debbie Reynolds). However by no means concern! That doesn’t imply the movie received’t grind to a screeching halt for not one however two batshit musical numbers, one a toddler’s expertise present throughout which a bit lady sings a music in full Mae West drag (“Oh You Nasty Man”) and one other wherein Reynolds and Broadway’s Sven Svenson tango on a celebration boat.

WHAT'S THE MATTER WITH HELEN?, from left, Michael MacLiammoir, Shelley Winters, 1971

Within the aftermath of “What Ever Occurred to Child Jane?” there grew a subgenre of horror thrillers that put actresses of a sure age in conditions of a sure kind (sometimes bloody and violent). Bette Davis went on to do “Hush Hush Candy Charlotte,” maybe the last word Grand Guignol instance of the style. Joan Crawford did so many it will get bleak to take a look at her late filmography. The entire thing was the MCU of its period, inexplicably attracting Oscar winners who simply needed to work.

However Harrington’s directorial contributions are completely different. He has a camp aficionado’s appreciation for growing old actresses, and he’d wind up working with a surprising array of them, from Gloria Swanson to Yvette Mimieux. And “What’s the Matter with Helen?” with its silver lamé robes, marcelled hair, and basic ’30s Hollywood milieu is camp of the best order.

Now, I’m forcing our personal Alison Foreman to observe what occurs when two mothers get dazzled by the intense lights of the massive metropolis. Good goody! —MP

The Aftermath: You Had Me at “Anyone Reduce Me.”

You may hear “What’s the Matter with Helen?” turn into a midnight film lengthy earlier than its visuals attain cult basic standing… however rattling, if that last-act leotard and ladder scene doesn’t go for broke.

From the second Shelley Winters uttered, “Anyone minimize me! Anyone on the market CUT ME!,” I heard practically each considered one of this film’s scrumptiously soapy strains instantly re-delivered within the lyrical tone of my colleague and buddy Mark Peikert. A fiendish lover of old-school melodrama (and, dare I say, knowledgeable connoisseur of up to date cool??), IndieWire’s resident professional in made-for-Hollywood hysteria had this fizzy and fucked-up delight simply ready on his private film advice faucet. For those who’ve spoken with him even as soon as, that makes all of the sense on the planet.

WHAT'S THE MATTER WITH HELEN?, from left, Debbie Reynolds, Shelley Winters, 1971

Mark brings the identical melodic highs and lows to on a regular basis dialog as Harrington’s warring actresses exhibit on this inexplicable two-hander, and that’s the precise vitality you’ll need coming from any fringe movie lover you choose to enterprise again in time with for this bygone period of huge display screen cat fights.

That is a kind of motion pictures that, sure, was technically made to be watched… but it surely’s all however designed for theatrical recitation. Critically, we’ve labored collectively lengthy sufficient now that I can’t keep in mind if Mark has really mentioned, “I do know it’s towards your faith Helen however you’d higher have a shot of gin!” to me or if that’s only a dream I had. Both method, having that and “Might I’ve… the matches?” able to reference on the drop of a hat must make our skilled communications faster.

Stupendously quotable with a sickening rhythm you’ll wish to get away your faucet footwear for, “What’s the Matter with Helen?” calls for to be skilled in duet. It’s a grower not a bathe, however when the loopy woman’s piano finale actually builds, this showbiz corpse can dance and also you’ll wish to work in twos. —AF

These courageous sufficient to affix in on the enjoyable can stream “What’s the Matter with Helen?” on YouTube. IndieWire After Darkish publishes midnight film suggestions at 11:59 p.m. ET each Friday. Learn extra of our deranged options…

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